BERSERKER
Director Notes
The Play
ROMEO AND/Y JULIET(A)
“It is an exciting, individualistic approach… in the manner of a Cubist painting, with glimmering flashes of action and dialogue, with a bit of Dadaism thrown in. [Kane-Parry’s] tempos and rhythms are impeccable…The piece is full of insightful action and is fascinating from beginning to end.” – T.H. McCulloh, Back Stage West
SUPREME BEING
“Text and images wash over you…meaning emerges from the show’s recombinant associations and repetitions” – Philip Brandes, Los Angeles Times
ANGEL CITY
DR. FAUSTUS
HAMLETMACHINE
THE TROJAN WOMEN
Trojan Women “Ballsy…you applaud the effrontery each time…can’t take your eyes off it for a minute…hardy souls are in for a treat” – Eric Grode, Backstage
THE CURE
The Cure “Underlying outrageousness beneath a surface of deliberate, restrained and controlled emotional truth and subtlety…mysterious…compelling” – Richard Foreman, Playwright/Director
BERNARDA'S COFFIN
and adaptation of THE HOUSE OF BERNARDA ALBA
